Showing posts with label knuckleball. Show all posts
Showing posts with label knuckleball. Show all posts

Wednesday, April 4, 2007

If I were coach...

Of a MLB baseball team:

* I’d use my closer to maximize my team’s wins, not my closer’s saves total. This would require me to use my closer in all 1-run and tie games regardless of save situation. I wouldn’t use my closer in a three-run-lead save situation.

* I’d never intentionally walk a hitter. Giving out IBBs is like taking on credit card debt.

* I would not pitch a #5 starting pitcher. Instead, I would pitch nine one-inning Zumaya-types. Or Broxton-types. Or Howry-types. Or Wheeler-types. Or Duchscherer-types. (Set-up men.)

* In fact, I might not have any starting pitchers. Instead, I’d pitch a fifteen-man rotation that was a grab bag of underappreciated (and underpaid) closers, set-up men, and knuckleballers.

* On my bench I would only have one backup catcher and one utility guy who could come in if there was an injury. I would have no pinch hitters. The concept of pitch hitting is entirely stupid. If a pinch hitter were a good hitter, he’d be a starter. So why, in a baseball game's most crucial point, would you have a bad hitter come in cold off the bench, not at all in the rhythm of the game, and face the opposing team's toughest pitcher? It doesn’t make sense. No pinch hitters. The only thing I dislike more than pinch hitters are bad pitchers that people defend by calling them "Inning Eaters." Neither Livan Hernandez nor Lenny Harris will be on my team.

Of a football team:

* I’d never punt when in opposition territory.

Of a basketball team:

* I’d press for all 40 (or 48) minutes. If you aren’t in shape enough to play 40 hard basketball minutes, you need to get off the couch and increase your metabolic rate.

Thursday, March 22, 2007

This Post is Like a Turkey Sandwich

Chuck Klosterman wants us to consider: We don’t discount Revolver because of the influence of drugs. Should we discount the 1998 home-run race because of the influence of drugs?

He’s not saying that we shouldn’t. I just like that he’s bringing sports and music together in a new way. FreeDarko insists that basketball isn’t jazz. I’d like to agree, but I’m not really sure what jazz is. I’m pretty sure football isn’t war, either. (Despite this, which isn’t the same thing.) Baseball conjures the pastoral, even in the Bronx, but it’s become a metaphor for other things, rather than the converse. On the other hand, a knuckleball can be a marriage.

Walter Pater says, “All art constantly aspires towards the condition of music.” Maybe Klosterman's on to something, and sport does too. I’d say Bad Boys: The ’87-’88 Detroit Pistons, which for one year I watched daily, aspires to the condition of tragic opera, one with “The Final Countdown” by Europe as its theme, Isiah Thomas as soprano, Joe Dumars as alto, Dennis Rodman as contralto, Mark Aguirre as tenor, Bill Laimbeer as baritone, Chuck Daly as bass-baritone, and James Edwards as bass. In any case, Pater’s got the libretto (by George Blaha) and the acting (Isiah drops 25 in a quarter… on a sprained ankle!) aspiring back to the condition of music, so we’re headed around that circle again. Maybe the only sports that don't demand and ruin metaphor are boxing and footraces.

Or maybe in all these cases the only metaphor that really works is sex. My favorite new sports blog these days is Ladies…, which shines through (and occasionally takes on, with humor and gumption) the machismo and frustrated homoeroticism of sports and reminds us that these guys running around in their pajamas are enjoyed by some smart, sexy, funny women. They talk about getting to third base and they mean it.

Thursday, March 15, 2007

Trying to knuckle down

When I was thirteen years old, I belonged, with maximum exuberance, to a country club of the golf variety. It was a nine-hole course with poorly planned overlapping fairways. My favorite hole, the par-three eighth, was the one that was farthest from the clubhouse. It was across a two-lane road, high up on a hill, and adjacent to the town park swimming pool. From the tee box, you could hear kids shouting “marco” and “polo” in the pool below. Weeds were in the sandtrap and ankle-high grass in the fairway because the groundskeeper deemed it unsafe to drive his mower across the two-lane road.

The cost of my “teen” membership, I still remember, was $265 dollars a year, with a one-time $150 dollar initiation fee. During that one year that I was a club member, I played nearly every day after school. When it snowed, I’d throw on my yellow jacket and play the round with a hot pink ball. I liked the feeling of striking a ball and watching it fly in a perfect trajectory.

I played my rounds, with few exceptions, alone. I was hyper-vigilant and obsessive about keeping an accurate score, and after each round I rushed to the clubhouse computer to enter it. I had three other friends who were club members, but I didn’t like playing with them. They didn’t take the game seriously. They each played with a pocket full of acorns, and whenever one of the four of us hit, acorns would be pelted at our heads during our backswing. One time, all three of them lined up on the eighth tee box and, at the same time, they hit in the direction of the crowded pool below and then waited for an extra loud scream. None came.

I recently found an English essay of mine from that year in which I discuss in great detail how I was going to start “making a living playing golf” before I turned twenty years old. This was before Tiger Woods and Big Bertha drivers. This was before Venus Williams and Jennifer Capriati, before Lebron and Dwight Howard. I was a thirteen year-old who was convinced that he’d be on the cover of Sports Illustrated before he could legally drink.

In the first month, my handicap went from a 36 to a 23, but during the next eleven months I was only able to shave off an additional 4 strokes. Still, my confidence remained high. As I wrote in my English essay, “Becoming a star is a process. My diligence will be constant but I expect my game to improve infrequently and unexpectedly.”

At the end of that year of golf tunnel-vision, an unexpected event prevented my game from improving at all, infrequently or otherwise: the clubhouse was burned down by a serial arsonist and was never rebuilt. Within months, my parents signed me up for a floor hockey league and a swim team, and I soon forgot about golf altogether.

Now, decades later, I look back and recognize that I have never been able to recapture the ability to have a singular purpose. I have been handicapped by loving other people and by wanting financial independence, which require flexibility and compromise when it comes to my personal goals. Or so I thought.

I was recently reading an old New Yorker issue when I came across an article about knuckleball pitchers, and I suddenly realized that throwing knuckleballs for a living was something I could do. It didn’t require any real baseball skill. All I needed was to be able to throw a baseball 50 mph with no spin. And throw it for strikes.

My wife, who played Division I softball in college, agreed to play catch with me for thirty minutes each morning, regardless of the weather. She thinks of the time as a way to catch up on one another’s lives. This morning, for example, she told me a story about an annoying co-worker and asked me how I’d deal with him. I mostly just listen to her stories, but anytime I think I have thrown a good knuckler, I interrupted her and ask, “did that one have movement?” So far, the answer to my question has slowly progressed from “no” to “I didn’t see any” to “maybe” to “sort of.”

My wife claims that playing catch every morning has saved our marriage, that she’s noticed that the more my pitches wobble, the less our relationship does. Maybe she’s right, but for me that’s too broad of a concept to wrap my head around. What I do know is that for the first time in a long time, I’m feeling good. And while I realize that I’ve chosen the one pitch whose trajectory nobody can predict—not even the person who throws a lively knuckleball knows where it will end up—I am confident that if I keep practicing, one of these days I’ll be throwing it for strikes in the majors.